Book review: YA fantasy books with strong girls

Welcome to Part 3 of my book review series featuring speculative literature books with strong girl protagonists. In previous installments, I listed books for younger middle grade readers (ages 8-10) and middle grade readers (10-12). This post emphasizes readers 12-16, moving into the young adult category.

(By the way, my age recommendations are based on my judgement of thematic appropriateness, rather than on reader comprehension. Younger readers may be able to read older books, but parents and teachers might want to check out the books first.)

On to the books!

Every Heart a Doorway by Seanan McGuire

This book has been raking in awards, nominations, and glowing reviews for good reason. Set in a school for unique students who don't fit anywhere else, this book explores what happens after children are cast out of Fairyland.

Of course, there are as many different fairylands as there are doorways (rabbit hole, anyone?). Seventeen-year-old Nancy was recently cast out of an Underworld, where she learned the power of extreme stillness as she served the Lord of the Dead. Now the noise and chaos of 21st century life is overwhelming. Sent to Miss West's special school, Nancy and the other students (and teachers) learn to relate to one another based on their alternate reality (and its degree of Logic, Nonsense, or Absurdity) with the hope of reconciling to the "real" world--or finding their doorway back.

When a gruesome murder shatters the school's calm, Nancy--the newest student--and her fellow Underworld friends are under suspicion. They must work together, using their various paranormal skills, to solve the mystery, clear their names, and save the school from further violence.

I loved this book's tone, from the perspective of a quiet, moody, intense teenage girl who's weird even among the weirdest kids. Her friends (and nemeses) are equally memorable characters from diverse backgrounds (although most of them are white). Of particular note is a clever, magnetic transgender student who befriends Nancy and becomes a love interest. Although I would have preferred more ambiguity in the final pages, I definitely recommend this book for anyone drawn to the spooky and strange.

Very excited to see that a sequel is due in June 2017!

Book review: Middle Grade fantasy books with strong girls

Here's part II of my new series reviewing speculative fiction books for kids that feature strong female characters. Last week, I introduced books for younger middle grade readers (ages 8-10). This week, it's all about the tweens. Check back; I plan to update this list regularly, particularly with more culturally diverse authors and protagonists.

Middle Grade Ages 10-12
The Girl Who Drank the Moon by Kelly Barnhill

This Newbery-medal winning novel blew me away. This exciting adventure begins with a village, shrouded in despair, that must leave its youngest baby in the forest for a witch in order to ensure another year of survival. Of course, one mother does not give her child willingly, setting off a chain of events within the village. When we meet the witch, and the baby she collects, delightful surprises involving moon-magic, a tiny dragon, and a poetic swamp monster propel events toward an inevitable reunion/conflict between the village and those who would try to control its people.

The language, the surprising plot, and the engaging characters entranced me. I loved the witch who is considered a healer in one town and evil in another; the village elder with the vicious heart of a tiger; the apprentice witch who doesn't know her own power; and the gentle, creative male "hero" who is rescued by the women that form the core of this story.

Subtly subversive, beautifully written, and deeply engaging--I cried!--this is an amazing book. It does have elements that sensitive readers might find disturbing (the willingness to sacrifice babies, and the gentle death of a beloved character). But I would recommend this book highly for kids and adults.

Book review: Younger fantasy books with strong girls

I love a good fantasy (or speculative fiction). Transport me to another realm and I don't wanna come back. Well, unless it's a dystopian world. Then where we are now doesn't look so bad. Usually.

So imagine my delight in finding a batch of recent fantasy books for kids featuring strong female leads. I plan to keep adding to this list, particularly with more culturally diverse authors and protagonists. I've organized them by general reader age appropriateness, and plan to include more posts for different ages. Keep checking back!

Younger Middle Grade (ages 8-10)

The League of Beastly Dreadfuls series by Holly Grant
Book I and Book II: The Dastardly Deed

This funny, imaginative mystery series begins with a funeral and goes downhill from there. After a bunch of strange occurances, Anastasia is forced to move in with her creepy aunties in their weird Victorian house. Once there, she becomes a very curious Cinderella, forced to serve her aunts in squalid conditions with a foreboding sense of something really bad about to happen.

The faux-Victorian setting and mixture of goofiness and existential dread echoes A Series of Unfortunate Events. When this intrepid prisoner turns to investigation, she discovers mystical friends and clues to the truth that will set her free in a most unexpected way.

In Book 2, The Dastardly Deed, Anastasia travels with her newfound relatives to an underground ice palace, just one part of a world of magic and fascinating people. Another mystery requires sleuthing, which brings her closer to finding the truth about her family.

Although the creativity and surprises are abundant, I preferred Book 1's semi-realistic setting and humor (or maybe it's just the Goth in me). The world-building in both books is engrossing, and the humor and mysteries keep readers guessing. Best of all, Anastasia is a smart, creative, delightfully imperfect guide that readers will enjoy following anywhere.

Looking forward to Book 3: The Witch's Glass this summer!

Check next week's post for a Middle Grade recommendation!

Book review: Sisters of the Revolution

Sometimes I forget how fulfilling it can be to read explicitly feminist writing.

So I have been enjoying the heck out of Sisters of the Revolution: A Feminist Speculative Fiction Anthology edited by Ann and Jeff Vandermeer.

Speculative fiction is a catch-all phrase for science fiction, fantasy, and other harder-to-classify writing with a fabulist "what-if" slant. What if employees were encouraged to conform to corporate culture through biological additions, as in Eileen Gunn's "Stable Strategies for Middle Management"? What if there was "The Woman Who Thought She Was a Planet" as in Vandana Singh's story?

This book encompasses an excellent selection of stories from the 1960s to now by a diverse group of writers, both well-known--Angela Carter, Octavia Butler, Ursula K. Le Guin, James Tiptree, Jr. (really Alice Bradley Sheldon)--and up-and-coming--Nnedi Okorafor, Rachel Swirsky.

Although this collection is definitely for adults, I was excited to see a couple of my favorite kidlit authors, Catherynne Valente and Kelly Barnhill, represented. I was also thrilled to discover writers like Nalo Hopkinson and Hiromi Goto.

Some of the stories are familiar, like "The Screwfly Solution" and "The Evening and the Morning and the Night," but these are woven artfully among others arranged so that stories "speak" to one another across time and space. I loved the combination of styles: a journalist's "report" ("The Forbidden Words of Margaret A." by L. Timmel Duchamp) horror, surrealism, sci-fi (Elisabeth Vonarburg's great reimagining of Do Androids Dream of Electric Sheep), sword-and-sorcery, fairy tales, and more.

The strains of feminism are diverse too, with varying degrees of satire, uplifting hear-me-roar grrl power, and horror-filled dystopian warnings. These stories represent women of different cultures, ages, sexual orientations--even species. Each selection is delightful reading and a thoughtful commentary on women's roles in society. These are stick-to-you stories. I know that Susan Palwick's "Gestella," about a werewolf in love, will haunt me.

Highly recommend this book, and I can't wait to dig further into the oeuvre of many of these writers.

Special shout-out to publisher PM Press, an amazing, socially conscious publishing organization out of Oakland. Looking forward to exploring their collection further, too!

Book review: The Bitch Is Back

Great title, right?

Perfect for on A Day Without a Woman, when women around the country are marching, striking, and celebrating women's work and accomplishments (by showing what happens if we step away, Lysistrata-style).

I'm home with a sick kid today, so I'm celebrating women by wearing red (and my 1 Billion Rising t-shirt) and writing about women's writing. Unpaid labor? Maybe so. But a joy to create and support women creators.

Sequel to The Bitch in the House, which I haven't read yet, this collection of personal essays is the literary equivalent to eavesdropping on 26 juicy conversations, getting the dirt (albeit well-composed and edited) on a variety of women in midlife:

• The university president who hobbles in heels for six months after breaking her foot but before seeing a doctor, scared to admit she's getting older
• A trans woman who comes out after 12 years of "supposedly heterosexual marriage"--and whose wife chooses to stay after her transition
• Two different stories from the "other women" who blew up their lives for a lover...and the sometimes messy, sometimes beautiful aftermath
• A Muslim woman, married at 14, who earned a Ph.D. while raising 8 kids and her thoughts on leaning in...and out

A diverse selection of writers, yet with several common threads: Most are professional authors, editors, or professors, not surprising for a memoir collection. A large contingent are able to jet off to Paris and Hawaii, own second homes, and write $12,000 checks. This lends an odd homogeneous quality to the voices that I can't relate to, though I connect to the emotional core of their stories.

One essay, however, sticks out like a sore thumb. "Dirty Work" is the story of a woman who owns a housecleaning company "as told to" the editor. Her story of surviving abuse and homelessness is authentic and important, yet the essay's structural differences, as well as the narrator's class and age, ostracize her story as if it were something outside the norm. I wish there had been a wider socioeconomic range in this collection to represent a truer range of experiences.

Overall, I was engaged and engrossed in these well-written stories from women in their 40s, 50s, and 60s. In our youth-obsessed culture, it's refreshing to know what midlife women think about where they've been and where they're going.

I recommend this book for any woman with a story to tell. C'mon, you know you do.